RED komodo technical specs

RED komodo

Technical Specs

Directed by Jen Winterbotham Cinematography by Andrew Hendrix Produced by Circulatory Cinema

SENSOR TYPE

RESOLUTION

SENSOR SIZE

DYNAMIC RANGE

CONSTRUCTION

WEIGHT

BATTERY TYPE

DC POWER INPUT

OPERATING TEMPERATURE

STORAGE TEMPERATURE

 FRAME RATES

Komodo 19.9 Megapixel Super 35 Global Shutter CMOS

6144 × 3240

27.03 mm x 14.26 mm (Diagonal: 30.56 mm)

16+ stops

Aluminum Alloy

2.10 lbs (BRAIN with Integrated Media Bay)

Two slots for BP-9XX series batteries

+7 to +17 V DC via the integrated 2-pin DC-IN port

0°C to 40°C (32°F to 104°F)

–20°C to 50°C (–4°F to 122°F)

40 fps at 6K 17:9 (6144 x 3240)

50 fps at 6K 2.4:1 (6144 x 2592)

48 fps at 5K 17:9 (5120 x 2700)

60 fps at 4K 17:9 (4096 x 2160)

120 fps at 2K 17:9 (2048 x 1080)

MAX DATA RATES

Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards

pLAYBACK FRAME RATES (Project Timebase)

23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions

REDCODE SETTING

REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps

REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps

REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps

REDCODE RAW ACQUISITION FORMATS

6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x

5K 17:9 (5120 x 2700)

4K 17:9 (4096 x 2160) and 16:9

2K 17:9 (2048 x 1080)

APPLE PRORES

4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps

2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps

COLOR MANAGEMENT

Image Processing Pipeline 2 (IPP2)

Supports 33×33×33 3D LUTs

Supports import of CDLs

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz

MOUNT TYPES

RF mount

Accepts Canon RF Mount Based Lenses and Adapters

Supports Canon EF with full electronic communication via compatible Canon RF Mount Adapters

REMOTE CONTROL

Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector

Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port

Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed

MONITOR OUTPUTS

Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes

12G-SDI: Up to 4096 x 2160 4:2:2 for 60p

6G-SDI: Up to 4096 x 2160 4:2:2 for 30p

3G-SDI: Up to 2048 x 1080 4:2:2 for 60p

1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control

Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing

RED CONTROL

Access full camera controls and live preview from iOS or Android devices.

Available from the Apple App Store and Google Play Store (coming soon). RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separately).

SENSOR TYPE

Komodo 19.9 MP Super 35 Global Shutter CMOS

 

RESOLUTION

6144 × 3240

 

SENSOR SIZE

27.03 mm x 14.26 mm (Diagonal: 30.56 mm)

 

DYNAMIC RANGE

16+ stops

 

CONSTRUCTION

Aluminum Alloy

 

WEIGHT

2.10 lbs (BRAIN with Integrated Media Bay)


BATTERY TYPE

Two slots for BP-9XX series batteries

 

DC POWER INPUT

+7 to +17 V DC via the integrated 2-pin DC-IN port

 

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

 

STORAGE TEMPERATURE

420°C to 50°C (–4°F to 122°F)

FRAME RATES

40 fps at 6K 17:9 (6144 x 3240)

50 fps at 6K 2.4:1 (6144 x 2592)

48 fps at 5K 17:9 (5120 x 2700)

60 fps at 4K 17:9 (4096 x 2160)

120 fps at 2K 17:9 (2048 x 1080)

 

MAX DATA RATES

Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards

 

PLAYBACK FRAME RATES (Project Timebase)

23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions

 

REDCODE SETTING

REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps

REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps

REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps

 

REDCODE RAW ACQUISITION FORMATS

6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x

5K 17:9 (5120 x 2700)

4K 17:9 (4096 x 2160) and 16:9

2K 17:9 (2048 x 1080)

 

APPLE PRORES

4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps

2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps

 

COLOR MANAGEMENT

Image Processing Pipeline 2 (IPP2)

Supports 33×33×33 3D LUTs

Supports import of CDLs

 

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz

 

MOUNT TYPE

RF mount

Accepts Canon RF Mount Based Lenses and Adapters

Supports Canon EF with full electronic communication via compatible Canon RF Mount Adapters

 

REMOTE CONTROL

Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector

Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port

Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed

 

MONITOR OUTPUTS

Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes

12G-SDI: Up to 4096 x 2160 4:2:2 for 60p

6G-SDI: Up to 4096 x 2160 4:2:2 for 30p

3G-SDI: Up to 2048 x 1080 4:2:2 for 60p

1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control

Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing

 

RED CONTROL

Access full camera controls and live preview from iOS or Android devices.

Available from the Apple App Store and Google Play Store (coming soon). RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separately).